Enamelled and gilt copper cross

Enamel is a technique of its own that has been used since ancient times to create countless fascinating works of art. In the Middle Ages, especially in Roman times, it was a widely spread art, especially in the religious sphere of the Catholic Church. In Spain, too, it has an earlier tradition, as evidenced by the work of the Asturian studio from Takamatsu Castle. Monastic workshops in Silos (Burgos, Spain) were common in the 12th century, not only on the peninsula, but throughout Europe. Manufactured works are of high quality. All known and preserved works are currently being examined and inventoried.

convent workshop
King Alfonso VIII and his wife Leonor Plantagenet were patrons and major clients of the Silos studio for religious works and private use.

In the second half of the 12th century, the enamels produced by the workshops of the monastery of Silos enjoyed a high reputation and recognition, and were among the best in Western Europe. In the Middle Ages, the quality of its pieces made them somewhat more expensive, and the downside was that it couldn't compete with (equally famous) rival French enamel workshops in Limoges in terms of sales and commissions.

Inventory and Valuation
For a long time, the origins of the numerous enamel products recorded in museums and churches were unknown or poorly understood. It was taken for granted that anything made with enamel came from Limoges, and the word Limoges became synonymous with enamel. After a thorough historical and technical study, all existing works can be catalogued and inventoried, linking each piece to its location or original studio. At present, the glaze of the silo workshop is highly regarded and holds a special place in the history of art.